Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film releases in British and Irish cinemas from 17 November.
